Meisoumai
Dancers in white on a Noh stage lit at night: in front, seated in meditation; behind, standing with arms open
Meisoumai

Stillness, in motion.
Grace, held in form.

A Japanese dance that embodies a sense of the divine cherished in Japanese culture since ancient times — and for ten years, dedicated at shrines across the country.

A dance as an offering

In Japan, people have long brought offerings to the divine: sacred sakaki leaves, sake, rice, music. Meisoumai is one of these offerings — given as a dance.

Watch the dancers, and you may notice them growing quiet, the way a lake grows still before dawn. The self is set gently aside. What moves instead comes from somewhere deeper — a pure, wakeful awareness, where the divine within and the world around feel, for a moment, like one.

In Japanese, the word for prayer, inori, is said to come from i wo noru: to declare a beautiful intention. So a prayer can be a quiet promise: to say, with gratitude, this is how I will live — and then to walk toward that life, one breath at a time.

What you witness is the deep purity of Japanese spirituality, made visible — and the harmony and beauty that grow from it.

Again and again, people who have watched it say the same thing: that the air seems to grow clearer, as if the space itself were being purified.

Katadama形魂

In Japan we say that a spirit lives in words — kotodama. Meisoumai holds that a spirit also lives in form. Bring your palms together. Wait a moment. If your heart grows a little stiller, perhaps the katadama of prayer has come to rest in your hands. Every dance has its own story and its own forms, and as people learn them — even people who have never danced before — mind and body begin, quietly, to settle into one.

A dancer in a sheer pale blue-green robe, eyes closed, holding her hands softly before herThe same dancer with eyes closed, palms joined in prayer

Not a performance — a dedication

We dance to share something that lives in every one of us — something pure, tender, and easily forgotten. We call it purity, and it rests on three things that cannot be pulled apart: three, and yet one.

Body

A body that stands upright and unforced — at ease in its own alignment.

Mind

A heart that is soft, and in no hurry.

Relationship

Harmony and trust with those who dance beside us.

Dancers in white on a Noh stage under blue light, each holding a glowing sphere in both hands

These three are carried far beyond the stage — into how we stand, how we listen, how we meet the people around us. Through the quiet practice of each day, through dedications of gratitude at shrines and temples, and through the stage, where everything comes together, Meisoumai gently becomes a way of living.

Upcoming performances abroad

21–22 November 2026

Palermo Japan Week

Opening ceremony and stage performance · Teatro Politeama Garibaldi, Palermo, Sicily

Poster for “Il Giappone incontra Gavignano”, 15 November 2026, at the town sports hall in Gavignano

Japan meets Gavignano

Sunday 15 November 2026
Palestra comunale, Via Roma 73, Gavignano (Rome)

A day of Japanese culture, under the patronage of the Municipality of Gavignano and in collaboration with the Budo Zen cultural association. Free entry.

  • 16:00Workshop by M° Ryou HoujohThe body of the Samurai: flexibility and strength through traditional movement
  • 17:30MeisoumaiA performance of the Dance of Prayer
  • All dayJapanese market

Information: +39 350 100 0422 (M° Giancarlo Strano)

Palermo Japan Week 2026

Japan Week returns to Italy after eight years, in the year marking the 160th anniversary of diplomatic relations between Japan and Italy.

Meisoumai performs with Amane-ryū (Ryou Houjoh) on both evenings at the Teatro Politeama Garibaldi in Palermo: a sacred dance of prayer for world peace, alongside a martial-arts performance that weaves together sword, staff (jō) and dance.

According to the official website, entry is free with registration, but both evenings are now fully booked (as of 29 October). The links below lead to the waiting list.

Watch

Opens on YouTube

Seen from behind, a dancer in white with a sprig of sakaki stands facing the worship hall of Oiwa Shrine, beneath a great sacred rope

The documentary

A Journey of Prayer and Dedication — Meisoumai

Film director Katsuyuki Miyabe set out to keep something that usually lasts only a moment: the forms of Meisoumai, and the people who give them life. He called what he saw “a figure we wish to leave for a thousand years,” and the finished film was itself dedicated to Dewa Sanzan Shrine.

The documentary is in Japanese, without subtitles. Recordings of three past Inori Performances are also available; they need no translation and can be enjoyed by anyone. All are available for purchase (¥3,000 per title; credit cards accepted). To order, please contact us.

Black-and-white photograph of Kaori in a white dress, her long black hair falling down her back, turning as the fabric spreads around her

Kaori

Kaori believes that every person carries something beautiful within — and she has made a dance to bring it into the light.

As the founder of Meisoumai, she creates dances in which simple, graceful forms become prayer. She has danced in dedication more than fifty times at shrines and temples across Japan, often at festivals and sacred rites, and has brought this quiet, luminous work to Noh stages in Tokyo and to Japan Week in the United Kingdom and Italy.

Her path is an unusual one. Before she ever danced, she studied law at Waseda University, built her own company — featured by NHK and Japan’s national newspapers — and spent years as secretary and business manager to Marie Kondo, author of The Life-Changing Magic of Tidying Up, from her first book to her move to the United States. She knew how to bring order to a life. At thirty-two, she discovered how to bring stillness to the body. In 2016 she began Meisoumai alone, with a single dance called Hikari — “Light.”

That late beginning became her gift. Kaori understands the body of someone who has never danced, and she has shaped a method — drawing on miko-mai shrine dance, kagura and the martial arts of Japan and China — through which complete beginners rebuild their bodies, step by step, into grace. Many of the women who dance beside her today began exactly where she once stood.

She grew up beneath the long stone steps of Kotohira-gū in Kagawa, where her grandfather’s family kept a shop along the approach. In 2026 she returned there with twenty dancers, to give thanks for ten years of Meisoumai.

In 2025 she received the Prince Higashikuni Cultural Award. She is still learning, still creating new dances — and still dancing, always, as a dedication.

Dedications & performances

In Japan, a dance can be a gift. A hōnō is a dedication made to the deities of a shrine or temple, and Meisoumai has dedicated its dances more than fifty times, often at festivals and sacred rites. Each one is prepared over months — sometimes a whole year — in quiet conversation with the shrine.

  • 2016Meisoumai beginsKaori starts dancing alone. Since then, she has returned every year to dedicate her dance at Dewa Sanzan Shrine in Yamagata, a sacred mountain of Shugendō.
  • 2017The first Inori PerformanceA stage performance of prayer, held every December from 2017 to 2025 in theatres in Tokyo, including Noh stages. The next performance is planned for Sunday 12 December 2027.
  • 2019Documentary film “A Journey of Prayer and Dedication — Meisoumai”Directed by Katsuyuki Miyabe. The finished film was dedicated to Dewa Sanzan Shrine and has been shown at independent screenings.
  • 2021–22Inori Performances “Guidance” and “Universe, Earth, Human”Supported two years in a row by the Agency for Cultural Affairs, Government of Japan (ARTS for the future!).
  • 2024Kumano Nachi Taisha, a UNESCO World Heritage siteA dedication performed together with a Tibetan Buddhist master, reported by the Asahi Shimbun and the Kumano Shimbun.
  • 2025Prince Higashikuni Cultural AwardRecommended by people who had seen Meisoumai’s dedications and performances.
  • 2026Ten yearsA dedication by twenty dancers at Kotohira-gū, Kagawa — the shrine of Kaori’s hometown.

Shrines and temples where we have danced

Dewa Sanzan Shrine · Kotohira-gū · Kumano Nachi Taisha · Izumo Taisha · Izumo Daijingū · Ōmiwa Shrine · Tenkawa Daibenzaiten-sha · Oiwa Shrine · Tsubaki Grand Shrine · Myōshin-ji Shunkō-in · Enoshima Shrine · Konnō Hachimangū · and more

Stages

Noh theatres in Tokyo (Hōshō, Umewaka) and Kamakura · Denshō Hall & Sakura Hall (Shibuya, Tokyo) · International Happiness Arts Festival · Asia Exchange Music Festival (Kanagawa) · Japan Week (United Kingdom, Italy)

Contact

For inquiries to Meisoumai, please use the form below.

Please note that we reply to inquiries from overseas with the help of translation tools. Thank you for your understanding.

Contact form

If the form does not open or is difficult to use, you are welcome to email us at
meisoumaioffice@gmail.com